TABLET MAGAZINE
by Staff
August 1, 2014
Says Legendary Photojournalist Tyler Hicks is Bad at His Job
If you have ever wondered why the New York Times photo coverage from Gaza has almost exclusively consisted of dead and bleeding Palestinian children in Shifa Hospital, with nary a Hamas gunman or missile launch from a school or a mosque to fill out the narrative of events on the ground, the newspaper of record has an astonishing answer: Pulitzer Prize-winning photographer Tyler Hicks really sucks at his job.
For anyone who knows anything about photojournalism, the Times’s answer raises some very serious questions about the sanity of the people who are running the newspaper, as well as the paper’s loyalty to one of the greatest photographers of his era who has put his life at risk for the newspaper time and time again in global hot spots and conflict zones.
But according to Eileen Murphy, the Times Vice President for Corporate Communications, the paper’s photographers in Gaza, led by Hicks, are the sole reason for the radical imbalance in the Times photo coverage of the war. Or at least that’s what she told Uriel Heilman of JTA, when he asked the Times to explain why, out of the 37 images that made up the paper’s last 3 slideshows from Gaza, there wasn’t a single image of a Hamas fighter or rocket launch or anything else that might signal to readers that Israel hadn’t simply decided to maim and murder Palestinian children in the coastal enclave for sport.
Incredibly, the first part of Murphy’s answer blamed Times photographers for apparently submitting only a handful of low-quality images…..Is this really how a legendary photojournalist like Tyler Hicks operates? Two very distant low-quality images, and nary a sight of a single person carrying a gun in all of Gaza during a three-week long conflict in which over 1500 people have died? If Hicks’ assignment took him anywhere else besides Gaza, one might suspect him of holding up the hotel bar.
……By playing coy with readers about the reasons why coverage is so imbalanced, the Times may think that it’s defending the work of its reporters and photographers. In fact, it’s making them and the paper look foolish–while serving as the propaganda arm of a terrorist organization. Someone at the paper needs to devote some serious attention to the reasoning that has transformed difficult working conditions on the ground into a glaring editorial failure.